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Posts Tagged ‘Waterman’

Posted by Dirck on 7 September, 2017

This Week’s Pens Inks How Much Novel Progress
  • 1,926 words typed

Yes, it should be more. A long weekend and a trip to the eye doctor conspire against me.

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Looking Elsewhere for a Moment

Posted by Dirck on 1 September, 2017

I’m sure each and every one of us has had as full a budget as possible in the past week of bad environmental news, given events in Texas, Louisiana and… well, most of south Asia.  Today’s film is not altogether a distraction from those events, although it addresses them directly in no way.  It is a glance at the other side of the coin, as it were; a little dot of hope for the future as far as the interaction of the natural world and humanity’s urge to make big tools.

Also, it’s got that guy from Red Dwarf in it:

Isn’t that swell?

Today’s pen: Waterman 12
Today’s ink: Diamine Bilberry

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Posted by Dirck on 24 August, 2017

This Week’s Pens Inks How Much Novel Progress
  • 2,620 words typed (and remembering Monday was idle)

An interesting discovery attends this first week of the new draft.  Received wisdom has it that a page of double-spaced text is roughly 250 words, yes?  Well, the spreadsheet that I’m keeping track of my progress on, which is how I get those spiffy gauges, has a cell which takes the current word count and divides by 250… which does not agree at all with the page count in the word processor.  It turns out that in the accepted Shunn format, well-loved by almost everywhere one submits work to, the words-per-page turns out to be more in the line of 300.

Interesting, but utterly unimportant.  We are concerned with the word count, after all, and not the amount of paper involved.  But interesting all the same.  Received wisdom not quite in accord with facts?  When does that ever happen?

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Unexpected Role Models

Posted by Dirck on 21 August, 2017

Today, I wasted my lunch period; rather than return the flayed flap of skin on the front of my face to the proverbial grindstone, I raced home to share the Great Eclipse(!!!) with my son.

That is pretty much the peak of totality where I was standing.

Wait a minute… by “wasted” I mean “utilized in the best possible manner,” because while eclipses happen regularly enough, they don’t happen here a great deal; the last one like this was in 1979.  But this is all digression, really, because it is writing I will eventually touch upon.

Today at The Regular Job has been very quite, so much so that I have tacit dispensation to do whatever I liked so long as I was handy to the telephone; thus, I have done a little tidying of the back room of my site, soon (I hope) to appear with a shiny HTTPS in its address and prevent Google from blacklisting me.  In the course of this, I found some backtracks from this very blog hiding among the apprehended spam, and entertained myself with a bit of reading– because, once upon a time, I actually produced content on this thing, some of which was vaguely amusing.

One of the items of past glory I examined was a slightly meta examination of my own writing style, which I’ll synopsize here so you don’t actually have to click that link.  I had found a place which claimed to analyse the style of any text pasted into it, and discovered that the writing of this screed as it existed then was like David Foster Wallace, H.P. Lovecraft, Mary Shelley, Cory Docotorow, and (shudder) Dan Brown.

All of which was somewhat interesting to the current version of me.  Then-Me was about a year away from getting nearly serious about fiction writing, and somewhat further away from getting as serious about it as I am now (which some might say is still “insufficiently so” but I work with what I’ve got).  What, Current-Me wondered, would be the effect of feeding some of my fiction into that purported analysis engine.  Indeed, did it still exist?

Why, yes, it did!  And here’s me with idle hands!

The results are… interesting to me.  Certainly satisfactory, although in a head-scratching way which I’ll explain presently.  As with the last attempt, I gave thing ten samples in an effort to see if there was any consistency in it.  Whole stories, too, not just snippets.  I was told with one of them that it was stylistically like the work of Arthur C. Clarke.  That story, the only one of the bunch that has yet been shown publicly, was aiming for more of an M.R. James flavour, but I will never decline to be likened to Clarke.  Two others came up with Anne Rice as the style-mirror for me, and seven of them produced Agatha Christie.

And here I became bemused.  I understand the presence of Clarke in these estimates.  Rice and Christie confuse me.  This is not a fragile male ego baulking at being compared to women, because really, honestly, that’s not the way I roll.  The source of the confusion lies in what I know about my own reading.  I have read loads of Clarke.  His influence creeping into my own work?  Sure.  However, my reading of Anne Rice is limited to Interview with The Vampire, once, in… I think 1990.  I have read Christie more recently, but rather less of her; a single story, about two years ago.  I have watched the entire run of Poirot Mysteries, but that’s hardly like reading the books upon which they are based.  The similarity of style is unlikely to be a result of emulation, however unconscious.

Bemused, then, but not exactly put out.  No reference to Dan Brown, which pleases me greatly, however commercial his work might be.  “Commercial” is a word one might apply to any of the three this recent sampling produced; not only are they all considered good writers in the literary art sense of the word (none without debate, of course– that’s art critics for you) but they have been widely published.  I am very content to be compared to people who got publication galore.

…of course, one also say “widely published” of Edward Bulwer-Lytton, for a particular period.  Ulp.

Today’s pen: Parker Senior Duofold
Today’s ink: Waterman blue (vintage)

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Posted by Dirck on 17 August, 2017

This Week’s Pens Inks How Much Novel Written
  • 17 manuscript pages.

Say, that doesn’t seem like a very productive week, does it? Well… let me counter that impression with a couple of pictures.  The first is slightly misleading.

Why is this misleading?  Because it implies a mathematical precision exists in the growth of what is, really, an organic structure.  We don’t look at a basketball player and say, “That person is 114.3% tall,” right? So, on to the other, more completely accurate picture:

Yep. END.  The story has run its course, the protagonist slumping off to face the rest of his life in the wake of the harrowing events laid out on the preceding 802 pages†, and I get to have a beer to reinforce myself at the prospect of the second draft (which I was already dreading as part of an entry in May).  It may only be 97.9% of the projected length, but for someone who hasn’t a lot of novel-ing experience, and who a couple of times thought the plot was gurgling out of him much too briskly, I’m fairly proud to have landed that close to the target.

I’m trying to decide now whether I give myself a bit of a break and work on a short story or two, or if I should just get onto the smoothing of this roughly-gouged bit of word-granite into something that actually looks like a viable novel.  I believe that I’ll decide this at leisure, over the course of the weekend.  Under the influence of large beer and strong drink.  You know, like those writers you see in movies.

 

†You see the format of all those pages, of course.  If my estimates are near correct, that’s just shy of 300 pages of legible, typed material.  I ain’t no Stephen King, nor any George R.R. Martin (yet)‡.

 

‡This parenthetical barnacle may be considered a sign of raging hubris.  I’m sure I’ll get over it as the magnitude of the work ahead of me becomes apparent and notes from my helpful readers begin to appear.

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A Brief Response to Current Events

Posted by Dirck on 14 August, 2017

This popped up a lot over the weekend.  It’s a little dated, and a little stilted perhaps, but it’s still worth a look, especially if you find yourself uncertain in your thinking on events in Charlottesville .

I try to not use language here, but I’m stealing a policy statement from another, much better known, blogger:

Fuck this fucking Nazi bullshit.

And to expand a little, because I like to think of myself as a tolerant guy, I’ll point you to an article which I agree with on the subject of tolerance.  Some behaviours which are inherently intolerable.

Today’s angry pen: A Waterman not quite old enough to remember the last world war
Today’s ink with a name which slightly distresses in the current context: Herbin Vert Empire

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Non-pharmaceutical Psychotropics

Posted by Dirck on 11 August, 2017

I have a friend who starts a lot of conversations with “you know what’s weird?” We have come into gentle dispute on this topic, as I don’t find the failure of a cat to sleep through the night or the way sales tax applies to clothes really qualifies as weird.  I usually offer a counter example, like magnetic putty, the Heisenberg uncertainty principle, or the US healthcare “system,” all of  which prompt her to suggest that the use of the word has shifted among Millennials (of which she is not one).

Be that as it may– this week’s film is weird.

Of course, this would be more amusing if world events had not taken their current turn, but let’s enjoy the mild dissociative state old cartoons induce, eh?

Today’s pen: Parker Senior Duofold
Today’s ink: Waterman blue (vintage)

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Posted by Dirck on 10 August, 2017

This Week’s Pens Inks How Much Novel Written
  • 17 manuscript pages.

A short week, we having celebrated “OK You Can Have A Long Weekend In August” Day on Monday.  That last entry was actually run out at home, making it one of perhaps a half-dozen generated there.  I expect I’ll be doing some work on the novel tomorrow, rather than my usual lunch out, to satisfy my own sense of devotion to the work.  Here, have a look at how things stand:

I am, as it happens, right in the middle of the climax.  This is fantastic, from a standpoint of the climax landing just about exactly where I’d hoped it would, but it is also amazingly frustrating because I have all the words surging about in my head right now, and if I could actually convince the whole world to ignore my existence for… I’ll say a solid five hour block of time, I could get it all out in a single session rather than stuttering along for a few pages before Mr. Slate yanks the pteranodon’s tail to announce the end of lunch.  And I can’t just say to the family “I’m not actually here” in the evenings, because my wife has a role in a stage production of A Turn of the Screw and rehearsals are every damn  night this week– the son wants a companion and the wife can’t drive.  I got duties.

But enough lamenting.  The end is nigh!  Hoorah!

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Lights Out, Everyone

Posted by Dirck on 4 August, 2017

That is the catch-phrase for an old radio programme, called Lights Out, which presented listeners with creepy stuff.  What stands in for this week’s film is not an episode of that; it is, however, a reading which I think you would do well to listen to in a dark room with no other distractions.

Isn’t that a corker?

Todays pen: Waterman Whatsit #0265 (no, that’s not really its name)
Today’s ink: Herbin Vert Empire

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Posted by Dirck on 3 August, 2017

This Week’s Pens Inks How Much Novel Written
  • 22 manuscript pages.

If you hear a slight humming noise, it may well be me in my excitement at being so close to finished the first draft. The climax is not quite underway, but the fuse on it is burning and about to enter the touch-hole.

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