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Posts Tagged ‘Waterman Carène’

Posted by Dirck on 20 April, 2017

This Week’s Pens Inks How Much Novel Written
  • 19 manuscript pages

Another lost Monday, alas, this time to a phone-call which ran long over the start of my lunch break.  By the time I had basic sustenance down me, there wasn’t time to get the machinery churning properly on the novel.  As petty revenge for this, I filled free moments in the rest of the afternoon doing some preliminary world-building for a future story with a (relatively) hard SF setting– I now know just how big my ship is, and how quickly it rotates to provide 1G on the main working deck and Mars-equivalent gravity in the recreation area.  Idle brains are the Devil’s plaything, after all.

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Posted by Dirck on 13 April, 2017

This Week’s Pens Inks How Much Novel Written
  • 17 manuscript pages

The paucity of output this week is down to Monday being too taken up with agony to be creative. You may remember a really dumb thing I reported doing to my leg about four months ago.  Well, I managed to do almost the same thing without the assistance of ice on Sunday evening, simply through inattention; I stepped too long for the last step in a flight, and then down I went.  The damage isn’t as bad this time (although I really should have a medical professional opine upon how things stand with my inner rigging), but it was sore enough on Monday to make creativity in anything other than self-directed terms of abuse fly right out the window.

And to avoid leaving people up in the air about important things: the pen I had in my pocket at the time is completely unscathed.

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Posted by Dirck on 21 July, 2016

Day What How Much Duration Pen Ink
  • 18 July
  • 19 July
  • 20 July
  • 21 July
  • Second draft of the “Swimmer’s Build”.
  • The same, and yes, it is a long one.
  • More of the same.
  • STILL more, although the climax is, at last, upon us.
  • 835 words typed.
  • 888 words (which I think is good news in some numerologies).
  • 821 words.
  • 827 words.
  • 55 min.
  • 60 min.
  • 50 min.
  • 60 min.

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Posted by Dirck on 14 July, 2016

Day What How Much Duration Pen Ink
  • 11 July
  • 12 July
  • 13 July
  • 14 July
  • Second draft of the “Swimmer’s Build”.
  • The same.
  • …with opposition, alas.
  • Less opposition, but a real “blood on the forehead” session.  First and second drafts diverge.
  • 769 words typed.
  • 984 words.
  • 589 words.
  • 390 words.
  • 55 min.
  • 60 min.
  • 45 min.
  • 40 min.

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Posted by Dirck on 7 July, 2016

Day What How Much Duration Pen Ink
  • 4 July
  • 5 July
  • 6 July
  • 7 July
  • Second draft of the “Swimmer’s Build”.
  • More “Swimmer’s Build,” which goes slowly because I was too timid with the first draft.
  • Second drafting persists.
  • Radical change of perspective!  And gosh, it was the way to go.
  • 532 words typed.
  • 645 words (see?).
  • 640 words.
  • With chops and changes, it’s about 800 new words.
  • 45 min.
  • 50 min.
  • 45 min.
  • 30 min.
  • 60 min.

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Posted by Dirck on 16 June, 2016

Day What How Much Duration Pen Ink
  • 13 June
  • 14 June
  • 15 June
  • First draft of the “Swimmer’s Build”.
  • More first draft… well, not action.  Gentle escalation.
  • Ah, it’s getting silly now.  Yay!
  • I think I am near the end; three more days, perhaps.
  • Six manuscript pages, which is resisting somewhat today.
  • Seven pages.
  • Seven pages.
  • Four pages.
  • 45 min.
  • 55 min.
  • 50 min.
  • 30 min.

An apology to those who have been offended by the appearance of ads here in the past week.  I find that simple ad blocking is no longer a stand-alone option, and that WordPress insists upon a $99/year premium account to achieve the same goal.  That’s an increase of 3.3 times to the cost of the joy of not stuffing ads in the face of my visitors– the only other benefit to me is 13G of media storage rather than 3G, and since I’m currently using a whopping four percent of that free storage, it’s a dubious benefit indeed.  It’s also not a quantity of money I can hand over without a qualm– it’s about the distance into overdraft I got before each payday, as our household is one of those in which (food)+(utilities)+(mortgage)=(all incoming cash), less a madcap subscription to Netflix to keep us from going completely mad for want of entertainment.

Basically, I can’t afford to not let WordPress annoy you with ads any more.  Sorry, everyone.  We are all firmly in the grip of the Great Grimpen Mire of capitalism.

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The Desert Island, Part 3

Posted by Dirck on 31 December, 2015

Here we all are, once again staring Futurity in the elusive face, with many of us preparing for parties the purpose of which seems to be to blot out all memory of the past.  What better time to consider the Modern Pens of Desert Island than a day that prepares for a shift in what the word “modern” itself means?

As with yesterday’s list, I am working up in order of increasing attachment.  I also want to give an honourable mention to a pen that very nearly got into the list, and was for a long while getting ready to shove off pens which cost at least six times as much– the Pilot Metropolitan.  I could just as easily make this list one of six rather than five and give it proper recognition, because it really does punch above its weight… but I value symmetry, and if there’s five yesterday, then it’s five official entries today.

Also good for close combat, if cannibals come ashore

I have a slight qualm about the Parker 50 coming to the island, stemming from the reputation of the clip for flimsiness.  Other than that, though, it’s really a splendid pen and one well adapted to life under palm-fronds with it’s stainless-steel everything (except the clip).  It’s possible that if I had a chance to try out a Pilot MYU, I’d swap out this one for it, but perhaps not.  I definitely like the Falcon over Pilot’s even-more-similar Murex.

“Doesn’t that clip bother your fingers?” No.

Next, a pen which surprised me by bubbling along to the top of this list, because I never find myself casting lingering thoughts in its direction (see yesterday’s runner up for that sort of thing).  The VP is a darned good pen, for all I worry about crumbs going in its opening when I carry it around.  Not exciting, but smooth and reliable.  The fact that there’s no cap to drop into the sand on my island and lose forever doesn’t hurt, either; I’m not a constant booster of convenience, but I won’t actively work against it.

…hm? Sorry, didn’t mean to stare.

Can I truly be stranded on this island if I have a Carène?  Perhaps not, if I knew the French words for sail, mast, and compass….  In any event, this is a pen that I was actively trying to convince myself to sell during the really rough financial patch over the summer, because by itself it is actually worth some money and there is evidence on the auction site I decline to name today that people are willing to spend to get a second-hand model.  I couldn’t quite get that battle won– I don’t spend quite as much time in idle contemplation of its beauty as I do with the Parker 75, but I will gaze upon it for the simple satisfaction.  It might have run a little higher on this list if it weren’t quite so given to nib-creep.

Typical. Try to set up a new society, and someone has to insist on being called “Souverän”.

Do I cheat if I bring a pen which I can swap points on?  Possibly.  I can settle on just one if so, and I’d still bring this M600– I do not dream of an M800 or M1000, for I like my pens on the light side and the previous two items in this list carry enough heft for all the others.  This pen is carrying the flag for a lot of other Pelikans, too, because just about all that I own or have worked on made it through to the penultimate cut; I discover I really like this brand.

Who else can claim five decades of looking totally cool?

Another German pen tops to Moderns list, and apparently I and the invisible-handed Marketplace agree on this as a good choice of pen; the Lamy 2000 has, after all, been in production since 1966 with only marginal changes.  Good weight, good size, good writing, good capacity, easy basic maintenance, and as sturdy a pen as I know of– it’s not, depending on your personal preferences, a raving beauty, but it has the sort of rugged handsomeness that a few scars won’t injure.

That’s it for the desert island list.  I hope you all have a fine New Year’s Eve, if it hasn’t already swept over your time zone.  We’ll see you in the next calendar with more nonsense.

Today’s pen: OMAS Arte Italiana (because I’m partying like it’s 1959!)
Today’s ink: Herbin Lie de Thé (because it will enforce a little bit of consideration of the past in this reckless amble into the World of Tomorrow)

 

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Posted by Dirck on 29 October, 2015

Day What How Much Duration Pen Ink
  • 26 October
  • 27 October
  • 28 October
  • 22 October
  • First draft of “Aliasing Harmonic” (which refuses to find its end).
  • The snarling first draft is at last in its cage.
  • The Regular Job (see below)
  • Second draft of “Two Natural Oddities”
  • Four manuscript pages.
  • Two pages.
  • Loads of stuff other people think is important
  • Not a lot more than yesterday; done at 1470 words
  • 35 min.
  • 35 min.
  • All day long.
  • 25 min.

Honestly, this is a picture of my place of employment yesterday.

ThePit

I am not in frame, but I’ll bet you can guess roughly where my cubicle is.

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Posted by Dirck on 22 October, 2015

Day What How Much Duration Pen Ink
  • 19 October
  • 20 October
  • 21 October
  • 22 October
  • Another fiction roll-out and worrying about the election.
  • Stress-reaction to the results of the election.
  • First draft of “Aliasing Harmonic” despite migraine.
  • Almost the last of that first draft.
  • All day.
  • 45 min.
  • 25min.
  • 35 Min.

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Posted by Dirck on 15 October, 2015

Day What How Much Duration Pen Ink
  • 13 October
  • 14 October
  • 15 October
  • First draft of “Aliasing Harmonic”.
  • Pressing on with the first draft.
  • Entering what looks like the final lap.
  • Six manuscript pages.
  • Five pages.
  • Nine pages.
  • 40 min.
  • 35 min.
  • 50 min.

Because I live in Canada, I was observing Thanksgiving last Monday, and trying to get a clear notion in my head whether our version of it is as bound up in pretending at cordial relations with First Nations in the early part of the colonization effort as in the US (I can’t think of an equivalent to the legends of the Plymouth Colony’s “first Thanksgiving”) or if it’s always just been a semi-pagan harvest thing like Lammas or the Dark Morris that happened to get some turkey-eating involved due to proximity to the US and the fact that birds are no respecters of national borders.

No conclusions reached– there’s religion, politics and attempted genocide(s) involved, so it’s hard to get a clear view of the history.

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