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Posts Tagged ‘Lamy 2000’

Posted by Dirck on 18 August, 2016

Day What How Much Duration Pen Ink
  • 15 August
  • 16 August
  • 17 August
  • 18 August
  • Second draft of “Palindrome” done.
  • “Screening Process” second draft.
  • …and done.
  • Third draft of “Palindrome.”*
  • 1,074 words, not all of which stuck, for a total of 2,847.
  • 1,326 words (this one calls for less care than the previous).
  • …with a total of 1,494.
  • Adjusting the total to 2,829
  • 50 min.
  • 55 min.
  • 30 min.
  • 45 min.

*This story has forced me to care as much about word choice as poets do (or at least, should); I’m only now at the point when I dare to show it to my test-readers.  If I had any talent in that direction, it would probably be better as a poem than prose, for reasons hinted at by the title, but… well, as Harry Callahan once said, a man’s got to know his limitations.

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Posted by Dirck on 11 August, 2016

Day What How Much Duration Pen Ink
  • 8 August
  • 9 August
  • 10 August
  • 11 August
  • First draft of “Palindrome” and of “Screening Process.”
  • First draft of “Screening Process” finished.
  • Second draft of “Palindrome.”
  • More second draft.
  • Two and six manuscript pages, respectively.
  • Ten pages (thumps chest, Tarzan-wise).
  • 950 words typed
  • 868 words.
  • 60 min.
  • 60 min.
  • 55 min.
  • 50 min.*

*Some of today’s writing time was devoted to enjoying a large chocolate chip cookie, my prize to myself in the wake of what I will call a tentative acceptance of one of my stories.  I phrase it thus because until the actual publication, anything may go wrong; the acceptance is phrased in definite terms, but still… I’m trying to keep excitement down to a pitch where it doesn’t blow the ears right off of my head.

When the story appears, which I’m told will be before the end of September (and in a smooth-running world, a good deal sooner), I will certainly be festooning this place with links, so all may share in my glee.

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The Desert Island, Part 3

Posted by Dirck on 31 December, 2015

Here we all are, once again staring Futurity in the elusive face, with many of us preparing for parties the purpose of which seems to be to blot out all memory of the past.  What better time to consider the Modern Pens of Desert Island than a day that prepares for a shift in what the word “modern” itself means?

As with yesterday’s list, I am working up in order of increasing attachment.  I also want to give an honourable mention to a pen that very nearly got into the list, and was for a long while getting ready to shove off pens which cost at least six times as much– the Pilot Metropolitan.  I could just as easily make this list one of six rather than five and give it proper recognition, because it really does punch above its weight… but I value symmetry, and if there’s five yesterday, then it’s five official entries today.

Also good for close combat, if cannibals come ashore

I have a slight qualm about the Parker 50 coming to the island, stemming from the reputation of the clip for flimsiness.  Other than that, though, it’s really a splendid pen and one well adapted to life under palm-fronds with it’s stainless-steel everything (except the clip).  It’s possible that if I had a chance to try out a Pilot MYU, I’d swap out this one for it, but perhaps not.  I definitely like the Falcon over Pilot’s even-more-similar Murex.

“Doesn’t that clip bother your fingers?” No.

Next, a pen which surprised me by bubbling along to the top of this list, because I never find myself casting lingering thoughts in its direction (see yesterday’s runner up for that sort of thing).  The VP is a darned good pen, for all I worry about crumbs going in its opening when I carry it around.  Not exciting, but smooth and reliable.  The fact that there’s no cap to drop into the sand on my island and lose forever doesn’t hurt, either; I’m not a constant booster of convenience, but I won’t actively work against it.

…hm? Sorry, didn’t mean to stare.

Can I truly be stranded on this island if I have a Carène?  Perhaps not, if I knew the French words for sail, mast, and compass….  In any event, this is a pen that I was actively trying to convince myself to sell during the really rough financial patch over the summer, because by itself it is actually worth some money and there is evidence on the auction site I decline to name today that people are willing to spend to get a second-hand model.  I couldn’t quite get that battle won– I don’t spend quite as much time in idle contemplation of its beauty as I do with the Parker 75, but I will gaze upon it for the simple satisfaction.  It might have run a little higher on this list if it weren’t quite so given to nib-creep.

Typical. Try to set up a new society, and someone has to insist on being called “Souverän”.

Do I cheat if I bring a pen which I can swap points on?  Possibly.  I can settle on just one if so, and I’d still bring this M600– I do not dream of an M800 or M1000, for I like my pens on the light side and the previous two items in this list carry enough heft for all the others.  This pen is carrying the flag for a lot of other Pelikans, too, because just about all that I own or have worked on made it through to the penultimate cut; I discover I really like this brand.

Who else can claim five decades of looking totally cool?

Another German pen tops to Moderns list, and apparently I and the invisible-handed Marketplace agree on this as a good choice of pen; the Lamy 2000 has, after all, been in production since 1966 with only marginal changes.  Good weight, good size, good writing, good capacity, easy basic maintenance, and as sturdy a pen as I know of– it’s not, depending on your personal preferences, a raving beauty, but it has the sort of rugged handsomeness that a few scars won’t injure.

That’s it for the desert island list.  I hope you all have a fine New Year’s Eve, if it hasn’t already swept over your time zone.  We’ll see you in the next calendar with more nonsense.

Today’s pen: OMAS Arte Italiana (because I’m partying like it’s 1959!)
Today’s ink: Herbin Lie de Thé (because it will enforce a little bit of consideration of the past in this reckless amble into the World of Tomorrow)

 

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Posted by Dirck on 17 December, 2015

Day What How Much Duration Pen Ink
  • 14 December
  • 15 December
  • 16 December
  • 17 December
  • First draft of a silly little seasonal flash item, and more or less the second draft, too.
  • Third draft of the previous, because my readers are wonderful, willing people.
  • First draft of “All the Old Familiar Faces”.
  • Some non-fiction stuff that was demanding my attention, and preparation for a new roll-out of fiction.
  • 944 words typed.
  • Two problematic paragraphs.
  • Six pages.
  • Three pages.
  • 55 min.
  • 50 min.
  • 40 min.
  • 25 min

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Posted by Dirck on 10 December, 2015

Day What How Much Duration Pen Ink
  • 7 December
  • 8 December
  • 9 December
  • 10 December
  • First draft of “All the Old Familiar Faces.”
  • The same.
  • “.
  • …and some cries of “why won’t they all just leave me alone?”  Oh, for the quiet of The Overlook.
  • Seven manuscript pages.
  • Six pages.
  • Six pages.
  • Three pages.
  • 55 min.
  • 50 min.
  • 40 min.
  • 25 min

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Posted by Dirck on 26 November, 2015

Day What How Much Duration Pen Ink
  • 23 November
  • 24 November
  • 25 November
  • 26 November
  • Second draft of “Aliasing Harmonic.”
  • Still second draft.
  • Metaphorical landslide at Regular Job.
  • Back to the second draft work, with both hands.
  • 923 words typed
  • 824 words.
  • 0 words.
  • 1,063 words.
  • 55 min.
  • 45 min.
  • All of it.
  • 50 min.

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Posted by Dirck on 19 November, 2015

Day What How Much Duration Pen Ink
  • 16 November
  • 17 November
  • 18 November
  • 19 November
  • Second draft of “Aliasing Harmonic.”
  • …which presents a very rough bit.
  • More second draft, the resistance overcome.
  • The same.
  • 504 words typed
  • 240 words.
  • 622 words.
  • 632 words.
  • 30 min.
  • 45 min.
  • 35 min.
  • 33 min.

ALSO, for those who don’t look into the fiction wing of my enterprise, I’ve got a slightly challenging contest on right now with a pen offered as prize.  No winners as yet, there’s still time, but the skill-testing question is a bit of a poser.

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Little and Often

Posted by Dirck on 13 November, 2015

Say, look what I forgot yesterday. The short-staffing at The Regular Job persists.

Day What How Much Duration Pen Ink
  • 9 November
  • 10 November
  • 11 November
  • 12 November
  • Last week’s woes extend.
  • Second draft of “Aliasing Harmonic,” plus this.
  • Contemplating past events
  • Contemplating past works
  • Zipperoo, writing-wise.
  • 379 and 315 words, respectively.
  • Never quite enough.
  • Inconclusive (see below).
  • Unendurable, really.
  • 45 min.
  • All day, but peaking at 11:00.
  • Enough to prevent fresh writing.

In part, today’s film is a mere public service; if you find yourself suddenly called upon to fill this role, it is good to know what you should be at.

Yesterday’s distraction was not shovelling coal, whether actual or metaphoric, but did involve a quantity of smoldering.  I’ve had news that a publication which I would like to submit to has reopened their submissions desk after a long hiatus, and I was trying to decide which of the things I’ve got in my shot-locker is most apt to the forum.  I’ve got a couple of candidates in the tumbler getting final polish now, and should have something away by Monday.

On a side note; I think “little and often” is probably a good policy in most things.  I lament that, while I’ve got the “little” side of writing locked down brilliantly, “often” is becoming elusive.

Today’s pen: Sheaffer Snorkel Sovereign
Today’s ink: Montblanc Racing Green

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Posted by Dirck on 5 November, 2015

But first, important stuff: tomorrow is Fountain Pen Day. Celebrate responsibly!

Day What How Much Duration Pen Ink
  • 2 November
  • 3 November
  • 28 October
  • 22 October
  • Second draft of “Aliasing Harmonic”.
  • Second draft persists
  • The Regular Job (see below)
  • Getting a new story run out on the fiction front.
  • 448 words typed.
  • 804 words typed.
  • A recurrent Wednesday problem
  • G’wan, have a look.
  • 25 min.
  • 45 min.
  • see below
  • Enough to prevent fresh writing.

I was struck on Tuesday at the relatively grim words/minute stats that the second drafts work out to.  Take it was proof that there is actual revision in that stage of the exercise, not mere transcription.

…because otherwise I’ll be horribly embarrassed.

Also, due to an illness-induced short staffing of The Regular Job, I feel I have to include yet another animation to suggest how the past couple of weeks has seemed (complete with inexplicable interruption and repetition).  Unavoidable working through lunch breaks!  Monstrous!

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A Bed of My Own Making

Posted by Dirck on 14 May, 2015

Day What How Much Duration Pen Ink
  • 11 May
  • 12 May
  • 14 May
  • 15 May
  • Not-quite-first draft of “Then Tell, Oh Tell…”
  • see below
  • 45 min.
  • 35 min.
  • 50 min.
  • 50 min.

…and it’s a fine bed of jagged springs and low thread-count sheets; don’t even look at the pillow.  There’s a belated realization that as mere background for the story I want to tell, I have to at least figure out the plot-line for two murder mysteries.  As of the close of that particular business today, I’ve got the more mundane one worked out but the intricate and more honestly fictional one needs more gingerbread and gilding.  This because real murders are, in general, not much more than a momentary rage followed by a panicked, hasty effort at concealment; you don’t get that many H.H. Holmeses, happily.

What I could have done was take of the threads of that previous project, but there’s a couple of recursions in it that are daunting me and I frankly want more of a break than last week afforded.  There are advantages to doing writing uopn which no one has imposed a deadline.

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