What's up at Ravens March.

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Posts Tagged ‘Edelstein’

Spoiler Alert

Posted by Dirck on 29 May, 2020

I’ve mentioned I like horror as a genre, both in books and films, right?

Oh, such a disingenuous opening. Putting aside rhetorical coyness, then– today’s film is a small commentary on the unexpectedly repetitive work of one of the great modern names in the genre.

For the record, I think Crimson Peak was an extremely fun film, and given the sort of thing it was set out to emulate, a quite successful exercise in its sub-genre. You’re certainly allowed to think otherwise, of course.

Today’s pen: Parker 75
Today’s ink: Edelstein Olivine

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What? Again?

Posted by Dirck on 22 May, 2020

 

Day What How Much Pen Ink
  • 18 May
  • 19 May
  • 20 May
  • 21 May
  • 22 May
  • Slothful Victoria Day Lounging
  • Getting a submission out
  • Second draft of “Ancestral Curse” (working title).
  • Another submission to prep
  • This nonsense, and considering the next submission
  • Buckets of it
  • One Away!
  • 352 typed words, and ready for the next phase.
  • Two Away!
  • Standing by on Tubes 3 and 4!

It’s Victoria Day that did it to me. On a count of straining effort for The Regular Job, instinct insisted yesterday was Wednesday.

And with that out of the way, let me now present today’s educational video– how to live in the future!

It’s 2020. That’s the future. Smartphones exist. FUTURE.

 

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Posted by Dirck on 14 May, 2020

 

Day What How Much Pen Ink
  • 11 May
  • 12 May
  • 13 May
  • 14 May
  • Second draft of “Ancestral Curse” (working title).
  • 1411 typed words (and that’s with a nap on Tuesday).

 

 

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Posted by Dirck on 7 May, 2020

 

Day What How Much Pen Ink
  • 4 May
  • 5 May
  • 6 May
  • 7 May
  • First draft of “Ancestral Curse” (working title).
  • Rhymes with axes, starts with a T.†
  • Second draft of “Ancestral Curse” (working title).
  • 3 manuscript pages.
  • I’m getting a refund!†
  • 538 typed words.

† In any normal year, filing on 5 May would be disastrously late, even in Canada (15 April? Why that, US?). In this plague addled year, though, I’m three and a half weeks ahead of the deadline. This is mainly because the government agency tasked with scraping money off of us is also responsible for handing it out to the unemployed and underemployed; the plague has complicated the hell out of that side of their duties. It’s as much to give the employees of the Canada Revenue Agency some hope for bathroom breaks as it is for the rest of us to figure out what’s going on with our personal finances.

And because I don’t make a lot of money, and because Wife and Son make none at all, I am getting a refund on what has been skimmed from my pay and also on the Carbon Tax we’ve been put under, as an incentive to not use internal combustion transport and natural gas heating.‡ This will, hoorah, be about enough to buy a new computer, allowing me to maybe update my site.

Eventually. The CRA is quite busy, and delivering refunds is yet another aspect of handing out the money they otherwise draw in. I understand this. It’ll come in due course.

‡ I certainly would like to get my hands on an electric vehicle and a ground-sourced heat-pump powered by solar generation. Alas, the carbon tax rebate meant to encourage this (even if you’re not buying gas, you still get the rebate, so ka-ching!) isn’t anywhere near enough for that sort of thing.

 

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Where DID the Time Go?

Posted by Dirck on 1 May, 2020

Oh… look… it’s Friday. Well, let’s pop out the thing that SHOULD have happened yesterday, for a start.

Day What How Much Pen Ink
  • 27 April
  • 28 April
  • 29 April
  • 30 April
  • Third draft of “In Loco Parentis”
  • First draft of “Ancestral Curse” (working title).
  • “Self-Policing”
  • A couple of typos and the tactical redeployment of a clause.
  • 2 manuscript pages (and napping).
  • 1031 words, all in a tumble, and up on the other site.

As the pace of work on “Ancestral Curse” suggests, I’m still having snoozy issues which may be related to the stresses of the current plague. I know that failing entirely to post the preceding is down to that stress, atop extra month-end stress brought on by the departed co-worker, about which I have previously whined.

Also, I got into a small creative froth, which I explain the genesis of in a post on my writing site, and so my whole attention yesterday was given over to frothing.

Um.

No, actually I’ll leave it. Anyway, it didn’t really strike me until I was lowering head to pillow that yesterday was Thursday. I can’t really blame that on COVID, since the ticking of my weekly clock goes on as ever it has.

Let me not break with Friday tradition, however, now that I’m aware it is Friday. I know a lot of the home-stuck are looking for projects to divert themselves, so here’s one.

Back in the late 1980s, when the interwebz was hardly even present in the fiction of William Gibson, I tried to do this following instructions in books. Now that I see, in motion, how it’s done, I realize how close I was to accomplishing the goal. I was, alas, even closer to losing an eye through the failure of the not-quite-really-a-bow.

Today’s Pen: Sheaffer Balance Statesman
Today’s ink: Skrip Black (which, by pure coincidence, is what I loaded it with when I last used it, somewhat more than a year ago).

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The Wreck of the Bellerophon

Posted by Dirck on 24 April, 2020

Still at work, which means I’m not free to watch films. So, of course, I’m pining for films (rather than, let’s say for example, enough money to cover rent; I’m aware of the relative dimensions of this “problem”). I may indulge myself this weekend, though..

I’ve got a restored, full-length, seriously-widescreen Bluray of this movie, and it’s the very definition of eye-candy. It’s also, for those who like that sort of connection, clearly an influence on Star Trek.

Today’s pen: Majestic, model unknown (see below)
Today’s ink: Edelstein Topaz

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Posted by Dirck on 16 April, 2020

 

Day What How Much Pen Ink
  • 13 April
  • 14 April
  • 15 April
  • 16 April
  • First draft of “Ancestral Curse” (working title).
  • 9 manuscript pages

† I hadn’t realized that the pen was so humble that I hadn’t even put together a page for it or its nth tier maker when I pulled it out of storage. I also hadn’t really meant to use this ink again so soon, but when the idea of putting a ridiculously expensive ink (free to me, but still) into a pen so cheap it was affordable during The Great Depression tickled me deeply.

I’ll try to edit in a picture of it later. Like a lot of really cheap pens, the celluloid is quite striking.

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Posted by Dirck on 2 April, 2020

 

Day What How Much Pen Ink
  • 30 March
  • 31 March
  • 1 April
  • 2 April
  • Second draft of “In Loco Parentis”.
  • A nap
  • Second draft of “In Loco Parentis”.
  • 297 words typed.
  • Sleave (sic) remains somewhat raveled.
  • 446 more words.

I hadn’t thought the COVID block which many writers are mentioning on Twitter was afflicting me, but it may be. It may also be the extra extra stress of being one of the few still at The Regular Job atop the previously-mentioned extra stress, the latter of which is even stressier at the transition from one month to the next. It’s almost certainly responsible for the torpor which overtook me on Tuesday, and yesterday it quite cut into my writing time.

Hopefully next week will see some lowering of pressure, and I certainly am aware that I’m neither as crushed as anyone in Healthcare, nor anything like as mentally burdened as those who find themselves out of work and weeks away from the various government assistance plans coming into effect… and who aren’t sure if those plans will actually include them.

On that last point– Canadians who are worried about such things should have a look at this chart, in which helpful people have translated from the various levels of government’s official mystical utterances into something which can be understood.

 

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Freude ohne Schaden

Posted by Dirck on 27 March, 2020

Schadenfreude, shameful or spiteful joy, has become a fairly popular concept in the English speaking world, because it is a very useful description of a sensation, like the one felt upon hearing Rand Paul tested positive for COVID-19.

For today’s film, prompted by the current plague and a means of dealing with it, trims away the Schaden– in many versions you will hear a jolly sounding operatic fellow bellow out “FREUDE!” at one point in the final movement.

Given the source, I probably should have put “Vreugde zonder Schaamte” as the title, but then I wouldn’t have been able to make all that prologue waffle.

Today’s pen: Sheaffer Targa
Today’s ink: Edelstein Topaz

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Posted by Dirck on 26 March, 2020

 

Day What How Much Pen Ink
  • 23 March
  • 24 March
  • 25 March
  • 26 March
  • First draft of “In Loco Parentis”.
  • Adventures in shopping for necessities during a lockdown.
  • A letter I’ve been shamefully neglecting.†
  • 2 manuscript pages
  • No spare probe covers for our Braun aural thermometer, alas.
  • Ready to mail.

 

† The letter to which I respond arrived just before Christmas. I plead “really a lot of powerful distractions”.

‡ The last time I used this pen (not quite two years ago, I discover with alarm), I also used brown ink. The only rationale for this association I can think of is that brown was big in the ’70s.

I am, by the way, still at work. The Regular Job turns out to count as “essential services”, and I’m apparently essential to it, so I’ll be the last one out before management is made to lock the doors. Let’s all hope it doesn’t come to that.

 

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