I bet I get in trouble with search engines for that title. I invert the old saying, though. The mountain had been made to come to me.
The mountain is Montblanc, and those who looked at the progress report last week will be unsurprised to hear that I now have a Montblanc pen. Here, let me show it to you:

I do, I’ll admit freely, think this is a splendid colour for a pen.
That is, during the 1960s, very nearly the cheapest thing Montblanc made. I suspect it is the lingering effects of this historic fact which made it possible for the residue of payment for my biggest fiction sale to date to bring this pen to my hand, along with the seller admitting that there is a tiny dent on the tail, barely perceptible to human vision. Pen collectors are a funny bunch.
So, here I am, Montblanc Owner. I have had a couple of weeks now to enjoy it, to appreciate its transcendent pen-ness, to revel in the supernal perfection that is a Montblanc pen.
Oddly, my response is… muted. “S’nice, I guess,” is about as hard as it hits me. While I don’t think it’s a substantially worse pen than the 149s which I have handled, for all that it is a much more humble member of the family, this only means that my previous and equally muted opinion of the company’s flagship is confirmed. Pretty nice. Not a transcendent supernal &ct experience.
Some of this is the effect of expectations, I should think. When the company suggests that there should be a celestial chorus humming in the background when its products are even mentioned, never mind used, the real thing is hardly going to live up to expectations (unless it’s coated in some transdermal Sched. 1 chemicals, and I doubt that’s a marketing campaign with legs).
There’s also, probably, some element of broad experience at play. I’ve used a lot of pens; some I own, some are just passing through my hands while getting a new sac or some similar procedure. Some of them, a very few, do get close to the sort or eyes rolled back, feet dangling clear of the floor, borne aloft by a pillar of light experience words like “supernal” are properly applied to. The little Tuckaway I also started carrying last week is a good example. It came to me as a trade in lieu of payment for work on another pen, and I really like the oblique stub on it.
Yes, a mid-century Sheaffer triumph point stub. I’ll bet right now a few of you who know are feeling a little giddy at the prospect. And it’s obliquity is very small, too.
The point is, I know what a very nice pen feels like. We should admit subjective preference into this as well, because one of the things I look for in very nice pen is “does not weigh too much” and there are many who take comfort in having their hand pinned to the desk by a massive pen. They are tragically mistaken I can’t insist that I’m right and they’re not, and the same goes in matters of point stiffness, barrel width, and a host of other variables. In the case of Montblancs, or at least the ones I’ve encountered to date, I find that the confluence of my likes, my expectations, and their attributes produces no particular passion.
Unlike the Pelikan P1 which is also currently in rotation. It’s dreeeeammmmmy, and I can offer no quantifiable advantage it has over the Montblanc to establish this superiority. Having had to do with the competition has apparently not turned my head from my true soul-mate.
Today’s pen: The self-same Montblanc 32
Today’s ink: Montblanc Racing Green